UPCOMING100 REVIEWS SEARCH

Radiohead - Burn the Witch review: 'The kind of return the world might have hoped for'

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posted 10 Year ago by Michael Hann

Radiohead unveiled their new single – and a video that crosses Trumpton and The Wicker Man – on Tuesday afternoon. And it’s brilliant

King Gizzard and the Lizard Wizard - 'Nonagon Infinity' Review

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posted 10 Year ago by LARRY BARTLEET

Australian psych maniacs King Gizzard And The Lizard Wizard have transformed into a mad metal band

Review: Julianna Barwick Moves Over the Face of the Waters on ‘Will’

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posted 10 Year ago by Zach Kelly

Julianna Barwick’s music has never seemed tethered to a specific place, so it’s funny that the celestial Brooklyn artist’s 2011 debut was actually titled The Magic Place, an exceptionally bright nü-age composition that’s greatest asset was its ability to transcend whatever space and time you were currently occupying.

Another Splash of Colour - New Psychedelia in Britain 1980-1985

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posted 10 Year ago by Jazz Monroe

Originally released as a 13-track LP in 1981, this compilation documents the fruits of New Psychedelia, which set the scene for glammy Britpop, nerdy twee pop, playful college rock, and more.

Radiohead’s ‘A Moon Shaped Pool’: SPIN’s Impulsive Reviews

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posted 10 Year ago by SPIN Staff

Is Radiohead's newest LP a desert island disk? The SPIN staff weighs in.

Meyhem Lauren Piatto D'Oro

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posted 10 Year ago by Dean Van Nguyen

Queens rapper Meyhem Lauren is a devoted student of NYC '90s rap, and on his latest, he pitches himself as a veteran crime boss too deep in the game to change his ways.

Review: A Segue From Staple Canadian Torchbearers, Kaytranada Owns His

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posted 10 Year ago by Natelege Whaley

Canadian artists have the juice right now. From Drake, The Weeknd, to newcomer Torey Lanez over the past seven years, Torontonians have carved out a space for dark, depressive, windy R&B and hip-hop sonics that have a chokehold on today’s airwaves.

James Blake The Colour in Anything

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posted 10 Year ago by Kevin Lozano

Clocking in at 76 minutes, The Colour in Anything is James Blake’s wonderfully messy dive into maximalism.

High-Rise

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posted 10 Year ago by Julia Bembenek

Studio: Magnolia Pictures Directed by Ben Wheatley

Most Likely to Die

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posted 10 Year ago by Zach Hollwedel

Studio: Directed by Anthony DiBlasi Marvista Entertainment

Happy Songs for Happy Zombies

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posted 10 Year ago by Zoe Camp

Frequently pointed to as an underrated shoegaze gem, the debut EP by Pinkshinyultrablast provides an enjoyable (if brief) introduction to the band’s rapturous take on rock.

Richard Ashcroft These People

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posted 10 Year ago by Stuart Berman

The former Verve frontman returns after a hiatus with another Richard Ashcroft solo album, with all the ostentatious orchestration, bumper-sticker mantras, and cursory electro-dabbling those entail.

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