UPCOMING100 REVIEWS SEARCH
Radiohead - Burn the Witch review: 'The kind of return the world might have hoped for'
posted 10 Year ago by Michael Hann
Radiohead unveiled their new single – and a video that crosses Trumpton and The Wicker Man – on Tuesday afternoon. And it’s brilliant
King Gizzard and the Lizard Wizard - 'Nonagon Infinity' Review
posted 10 Year ago by LARRY BARTLEET
Australian psych maniacs King Gizzard And The Lizard Wizard have transformed into a mad metal band
Review: Julianna Barwick Moves Over the Face of the Waters on ‘Will’
posted 10 Year ago by Zach Kelly
Julianna Barwick’s music has never seemed tethered to a specific place, so it’s funny that the celestial Brooklyn artist’s 2011 debut was actually titled The Magic Place, an exceptionally bright nü-age composition that’s greatest asset was its ability to transcend whatever space and time you were currently occupying.
Another Splash of Colour - New Psychedelia in Britain 1980-1985
posted 10 Year ago by Jazz Monroe
Originally released as a 13-track LP in 1981, this compilation documents the fruits of New Psychedelia, which set the scene for glammy Britpop, nerdy twee pop, playful college rock, and more.
Radiohead’s ‘A Moon Shaped Pool’: SPIN’s Impulsive Reviews
posted 10 Year ago by SPIN Staff
Is Radiohead's newest LP a desert island disk? The SPIN staff weighs in.
Meyhem Lauren Piatto D'Oro
posted 10 Year ago by Dean Van Nguyen
Queens rapper Meyhem Lauren is a devoted student of NYC '90s rap, and on his latest, he pitches himself as a veteran crime boss too deep in the game to change his ways.
Review: A Segue From Staple Canadian Torchbearers, Kaytranada Owns His
posted 10 Year ago by Natelege Whaley
Canadian artists have the juice right now. From Drake, The Weeknd, to newcomer Torey Lanez over the past seven years, Torontonians have carved out a space for dark, depressive, windy R&B and hip-hop sonics that have a chokehold on today’s airwaves.
James Blake The Colour in Anything
posted 10 Year ago by Kevin Lozano
Clocking in at 76 minutes, The Colour in Anything is James Blake’s wonderfully messy dive into maximalism.
Most Likely to Die
posted 10 Year ago by Zach Hollwedel
Studio: Directed by Anthony DiBlasi Marvista Entertainment
Happy Songs for Happy Zombies
posted 10 Year ago by Zoe Camp
Frequently pointed to as an underrated shoegaze gem, the debut EP by Pinkshinyultrablast provides an enjoyable (if brief) introduction to the band’s rapturous take on rock.
Richard Ashcroft These People
posted 10 Year ago by Stuart Berman
The former Verve frontman returns after a hiatus with another Richard Ashcroft solo album, with all the ostentatious orchestration, bumper-sticker mantras, and cursory electro-dabbling those entail.












